・先週 涙を流した「るな」相談したのは、やーちゃんとしおん！ 　　・煮え切らない「りずむ」に「うた」がおこ？！ 　　・会えない平日「ゆきな」の心に変化が…

遠く離れた街に住む出会うはずのなかった高校生たちが 週末だけの「恋の旅」で出会う。 ただし、旅の期間は人それぞれ。 そして、決められた時間は誰にも知られてはならない。 “君は明日、いないかもしれないから” その恋は時限装置つき、今すぐ伝えなくちゃ。

会えなくて初めて会いたいって気付いた。 　　出会うはずのなかった遠く離れて暮らす高校生たちが 　　日常と非日常を行き交い恋をする２週間の特別な週末ホームステイ。

会えなくて初めて会いたいって気付いた。 出会うはずのなかった遠く離れて暮らす高校生たちが 日常と非日常を行き交い恋をする２週間の特別な週末ホームステイ。

恋を探す高校生たちが沖縄で過ごす 　　不思議で特別な２週間の週末ホームステイ。 　　ドキドキもワクワクも、不安も嫉妬も、 　　「これが恋…？」私が初めて恋を知る瞬間なんだ。 　　「史上最高に青春！」な恋ステがはじまる。

Mike may always be wandering, but you’d hardly call him a man on the move. His stamping ground is modest, the strip of suburbia between his mom’s house in New Jersey and the pizza place where he works. Mike’s no great conversationalist and isn’t big on direction either, preferring to let things happen than making them happen himself. Feeding a neighbour’s dog, bumping into a friend, catching a hockey game: all just different reasons to trudge along the same wintry streets, unhurried, ungainly, alone. 　　One day, opportunity knocks. Mike bumps into his old school friend Mark, who asks Mike to take over his walking tour job and Philadelphia apartment during his trip to Poland. A change of season, a change of scene, a change of fortune? The streets Mike now wanders through are different and the sun is shining, but otherwise it’s the same old story: new people and new encounters, laced with the usual awkwardness and inertia. Ted Fendt’s charming 35 mm miniature is not quite a comedy, nor quite a drama, but rather a moral tale: a lesson on how anything that falls into your lap can just as easily fall out of it again. We can change our context, but we can’t change ourselves. berlinale 2016

Mike may always be wandering, but you’d hardly call him a man on the move. His stamping ground is modest, the strip of suburbia between his mom’s house in New Jersey and the pizza place where he works. Mike’s no great conversationalist and isn’t big on direction either, preferring to let things happen than making them happen himself. Feeding a neighbour’s dog, bumping into a friend, catching a hockey game: all just different reasons to trudge along the same wintry streets, unhurried, ungainly, alone. 　　One day, opportunity knocks. Mike bumps into his old school friend Mark, who asks Mike to take over his walking tour job and Philadelphia apartment during his trip to Poland. A change of season, a change of scene, a change of fortune? The streets Mike now wanders through are different and the sun is shining, but otherwise it’s the same old story: new people and new encounters, laced with the usual awkwardness and inertia. Ted Fendt’s charming 35 mm miniature is not quite a comedy, nor quite a drama, but rather a moral tale: a lesson on how anything that falls into your lap can just as easily fall out of it again. We can change our context, but we can’t change ourselves. berlinale 2016

第1话为笨蛋节奏编剧的《渐变》：东京一栋杂居大楼内，持猎枪的寺本劫持三名员工——上野、藤木与棚崎，现场被封锁，局势高度紧张。被束缚的人质在恐惧中低语求生，期间棚崎竟提出一个大胆离奇的脱逃计划。几人能否从这场异常的劫持事件中全身而退，悬念一触即发。 　　第2话为畑雅文编剧的《厕纸之战》：漫画家明吉与咖啡店职员妻子久美虽为双职工，但家中所有琐事的“最后一步”总由明吉承担。为打破不公平，他悄悄挑起一场关于“谁来换下一卷厕纸”的隐秘对决，而久美也有绝不能输的理由。AI监控、算计与执念交锋，夫妻间上演一场既荒诞又真实的家庭战争。

几对年轻男女在周末恋爱角寻偶，经历了一场感情风波，三对有情人终成眷属。